Rebels, Rubyfruit, and Rhinestones: Queering Space in the by James T. Sears

By James T. Sears

While Scarlett O'Hara may perhaps resemble a drag queen, and Mardi Gras evokes extra camp than a homosexual satisfaction parade, the yank South additionally boasts a wealthy, actual and transgressive homosexual and lesbian heritage. during this chatty, free-ranging cultural survey, Sears (Growing Up homosexual within the South) provides a shiny kaleidoscope of the mores and political actions of many homosexual Southerners following the 1969 Stonewall riots and top as much as the 1979 march on Washington. Sears unspools this heritage via pix of activists and group organizers together with Merril Mushroom, Jack Nichols, Lige Clark, Vicki Gabriner, Minnie Bruce Pratt and Sgt. Leonard Matlovitch who contributed to shaping the social and political weather under the Mason Dixon line and infrequently within the remainder of the rustic. whereas giving a nod to old occasions like Anita Bryant's keep our kids crusade, Sears focuses extra heavily on vague yet very important neighborhood political occasions, just like the founding of the lesbian magazine Sinister knowledge, the emergence of the Atlanta Lesbian Feminist Alliance and neighborhood reaction to a perilous firebombing that killed 31 consumers in a brand new Orleans bar within the mid-1970s. Sears's multifaceted procedure can pay off while he sketches such really unknown avid gamers as comic Ray Bourbon and radical fairy Faygele ben Miriam, and he conveys good the complexity and depth of the political job of the last decade. whereas no longer as traditionally conclusive or theoretically astute as John Howard's masterful males Like That (2000), Sears presents a panoply of emotionally riveting snapshots that aptly painting Southern homosexual adventure within the Seventies. B&w photos.

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Extra resources for Rebels, Rubyfruit, and Rhinestones: Queering Space in the Stonewall South

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7 The soon retitled two-act tragedy was set in a Manhattan apartment. Michael—Crowley’s fictional alter ego—is hosting a party for his friend Harold. Prior to his arrival, Alan, an uninvited guest, appears. Michael’s old heterosexual school chum interacts with the assorted characters while Michael casts sexual innuendo and homosexual suspicion. The Boys in the Band ran for a thousand-plus-one performances following its Easter 1968 off-Broadway opening at Theatre Four. Laced with witty remarks (“A bit effeminate?

The key to the whole case is through the looking glass. ”10 Garrison then announced The Queen Bee 17 that fifty wealthy supporters—dubbed “Truth and Consequences”— would bankroll the investigation, avoiding the need for public funding (and accountability). During the next two years Garrison directed a frenzied media through conspiratorial labyrinths as a bewildered but stoic Shaw wandered through a maze of preliminary hearings and grand jury indictments. Selectively leaked investigative reports tried Shaw’s indomitable spirit, as legal fees eroded his retirement savings.

Coming out is coming out in yourself, not in society so much. Accepting yourself and being free with yourself. ” “There’s a difference between being vain and appreciation of the finer values you have in yourself. ” four The Pied Piper of Athena When I started teaching in 1968 I was “in the closet,” at least that’s the way I thought of it. Then the women’s movement began, and in 1969, Stonewall happened. And my students happened to me. 1 But that was before Charley Johns had terrorized the Tallahassee campus, before the dean of women (a tailored-suit lesbian) stamped “homosexual” on Penny’s permanent record, and before Penny’s transformation from Leninist atheist to Ayn Randian objectivist.

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