By John Edgar Browning, David J. Skal, Caroline Joan S. Picart, Gary Don Rhodes, Andrew Hock Soon Ng, Jimmie E. Cain Jr.
Because the booklet of Dracula in 1897, Bram Stoker's unique construction has been a resource of suggestion for artists, writers, and filmmakers. From Universal's early black-and-white motion pictures and Hammer's Technicolor representations that undefined, iterations of Dracula were cemented in mainstream cinema. This anthology investigates and explores the a ways better physique of labor coming from assets past mainstream cinema reinventing Dracula.
Draculas, Vampires and different Undead Forms assembles provocative essays that learn Dracula motion pictures and their move throughout borders of nationality, sexuality, ethnicity, gender, and style because the Nineteen Twenties. The essays study the complexity Dracula embodies open air the normal panorama of flicks with which the vampire is sometimes linked. concentrating on Dracula and Dracula-type characters in movie, anime, and literature from predominantly non-Anglo markets, this anthology bargains precise views that search to floor depictions and studies of Dracula inside of a bigger political, old, and cultural framework.
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Additional resources for Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race, and Culture
Example text
But that description alone hardly encompasses Browning’s film, which was heavily influenced by Stoker. After all, Browning (like Stoker) has a character travel to Transylvania to sell Dracula real estate, whereas the stage play takes place only in England. Browning also restored Mina as Harker’s bride-to-be, with Lucy as Dracula’s ill-fated victim, just as Stoker wrote it. By contrast, the Deane-Balderston play had switched those roles, with Mina already dead by the time the curtain first opens.
Bistritz”). Similar to Stoker having Dracula move from Transylvania to England and back to Transylvania, Hall poses a situation where Dracula moves from Transylvania to Argentina and—at the end of the treatment—begins a return voyage to Transylvania. Indeed, Dracula’s initial arrival in Argentina by boat is an event that Hall describes in great detail: Through this fog suddenly appears a magnificent black streamlined yacht bearing the name Nemesis III. The yacht enters the south basin slowly, approaching a dilapidated pier in the worst part of the city docks, which is called the boca.
These Hall story ideas are detailed in Gary D. Rhodes, Lugosi: His Life in Films, on Stage, and in the Hearts of Horror Lovers ( Jefferson, NC: McFarland, 1997), 219–20. 10. Gary D. Rhodes, Bela Lugosi: Dreams and Nightmares (Narberth, PA: Collectibles, 2007). 11. Clips from this trailer appear in Lugosi: Hollywood’s Dracula. Written and directed by Gary D. com. 12. “Movie Stars May Have to Predict Own Futures,” Hammond Times (Hammond, IN), November 16, 1942. 13. Manly P. Hall, The Secret Teachings of All Ages (New York: Tarcher Penguin, 2003).