By Bernard. W. Silverman
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Receive ye us-keep watch and ward Above the suppliant maiden band! Chaste be the heart of this your land Towards the weak! but, ere the throng, The wanton swarm, from Egypt sprung, Leap forth upon the silted shore, Thrust back their swift-rowed bark again, Repel them, urge them to the main! And there, 'mid storm and lightning's shine, And scudding drift and thunder's roar, Deep death be theirs, in stormy brine! Before they foully grasp and win Us, maiden-children of their kin, And climb the couch by law denied, And wrong each weak reluctant bride.
The choice of the term comedy to designate Menander's plays is unfortunate in the extreme, for there is nothing really funny about them. The plots most General Introduction xlix closely resemble those of Euripidean tragedies such as Alcestis and 11 clen. The characters find themselves in a complicated and unpleasant situation which for a while seems destined to grow steadily worse, but the story is so manipulated that everything works out well in the end and everyone is left happy and contented.
This is as far as we could go if we had only the formal peculiarities of comedy to guide us, but there are certain features of the contents of the extant plays that provide us with valuable supplementary evidence. We have already observed that the latter half of a fifth-century comedy is usually taken up with the results of the comic revolution effected in the first half. But the latter portion of the play usually contains two other motifs that look like survivals of ritual and hence bear the stamp of great antiquity.