By Tony Thorne
This is often the tale of Elisabeth Bathory, a 17th-century Transylvanian countess. She was once attempted as a vampire and have become an concept for wicked murderers as much as the current day.;Based on learn performed at documents in japanese Europe, this account contains either the recorded fact and the legend that has grown up round her. Tony Thorne is the writer of the "Bloomsbury Dictionary of Slang".
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Extra info for Countess Dracula: The Life and Times of Elisabeth Bathory, the Blood Countess
Brujah revolutionaries may make their havens in defunct foundries with stillfunctioning equipment or even on forgotten floors of office buildings, left unoccupied during times of economic downturn but still wired for ready access to every modern convenience. One of the difficulties modern Kindred face is the ability to activate modern accessibility. Elders and ancillae have an edge here, as they can work through mortal thralls when such arrangements are necessary, but what does a fledgling Tremere do when establishing an Internet repository of secret knowledge?
No skeleton in the closet disappears completely just because the character acquired successes as described above. It is up to the boon-cheating player and Storyteller to devise the benefits of the Kindred falsifying the CHAPTER TWO: PRESTATION condition of the boon. Few vampires of any Status, regardless of sect, look favorably upon the false satisfaction of boons. It undermines the whole social contract among vampires, and it’s better, these luminaries often reason, to snuff out a single transgressor than to topple the whole precarious structure.
And newspapers CHAPTER THREE: KINDRED AND TECHNOLOGY might as well be clay tablets — even the alternative print weeklies that once kept vital the countercultural stirrings of passionate Brujah and trend-seeking Toreador. allow them to move assets to computers with software suites that watch the stock markets and analyze them for optimal returns on investment over very short periods of time. The Media Influence of the modern nights moves at the same breakneck speed as other communication, and less and less reflects the ability to bury a story on page eight of the Metro section.